Fermin Muguruza musikariaren playlist eta artikulu ederra osatu du Roberto Herreros aktibistak

Roberto Herreros ezagutuko duzue beharbada. Musikaria, aktibista, idazlea ere bai. Oso tipo fina. Ez dut pertsonalki ezagutzen, baina aspaldi idazten diogu elkarri, eztabaidaren bat ere izan genuen berak eta Isidro Lopezek plazaratu zuten liburuaren pasarte batzuei buruz. Noizbait egingo dugu El estado de las cosas Kortaturen diskoaren inguruko solasaldi eta entzunaldi bat. Liburua irakurtzeko ederra izan zen, duda barik. Eztabaidagarriak ere bertako edukiak.

Baina oraingoan, eta konfinamendu garaia dela baliatuz, Fermin Muguruzaren bakarkako proiektuetako abestiekin osatutako playlist bat sortu du Robertok. Eta testu eder bat jarri sare sozialetan. Irakurtzeko eta musikaz gogoeta egiteko.
Berari eskatuta, testua hona euskaraz ekarri dut. Mila esker Roberto.

 



El estado de las cosas de Kortatu: lucha, fiesta y guerra sucia
(Lengua de Trapo, 2013) liburuan, non Isidro Lópezek eta biok euskal rock erradikala garatu zen testuinguru historikoaren azterketa proposatzen genuen, azaltzen genuen zaila dela ez pentsatzea azken hogeita hamar urteetako gure testuinguru kulturalean Kortatu etengabe agertzea ez dagoela lotuta Fermin Muguruzaren adar politiko eta musikal ezberdinekin.

Ferminek, Kortatutik haratago, ikuspena irabazten jarraitu badu, Kortaturen historiako beste protagonista batzuekin batera (Iñigo anaia hil berria kasurako), une egokian urratsak egiten jakin duelako da. Beharbada, Negu Gorriak-en aldaketa izan zen bide horretan egin beharreko urrats erabakigarria, Kortaturen ospearen gailurrean, hain zuzen. Gero, Negu Gorriak taldetik bere bakarkako ibilbidera igaro ondoren, Dut taldearekin ‘Ireki ateak’ diskoa egin ostean.

Bi talde handien parean dago bakarlari bezalako egindako bide hau? Hori zalantzan jarri da. Behin Isidroren lagun belgikar batek, Fermin Muguruzaren irudiarekin interes handia duenak, galdera mamitsua egin zion: “Uste duzu egunen batean Muguruzak maisulan bat sinatuko duela, ‘Clandestino’ bezala?“. Nire ikuspuntutik, agian ez, baina baita –agian oker egongo naiz– Manu Chaok, bakarka, ‘Clandestino’-n eta, neurri txikiagoan, ‘Siberie m’etait contéee’-n dauden kantak baino askoz gehiago emango ditu.

Esperimentu gisa, playlist bat egin dut Fermin Muguruzaren kantuekin; hiru bertsiorekin eta hainbat lankidetzarekin. Azken horien gainean, a priori deigarriagoak diren batzuk utzi ditut kanpoan, hala nola Mala Rodríguezekin Esne Beltzaren Gora! diskorako egin zuena, ahaltsuagoa iruditzen zaidalako Ari rap abeslariarekin egindako Armagideon tenoreko aztarnak, Muguruzak bere hirugarren albumean bakarka egindakoa. Irizpide berari jarraitu diot beste lankidetza batzuekin, hala nola Zebdak Ferminen bi kantutan egin dituenekin, ez baitira zerrendan sartu.

Era berean, kasu batzuetan, estudioan grabatutako grabazioen ordez, Rob Smith (Smith & Mighty), Peter D. Rose (More Rockers), Toy Selectah edo Zion Trainen kantuak jarri ditut, jatorrizkoak gainditzen zituztenak —eta batzuetan hobetzen ere bai—. Urrun-ekin, aldiz, biak sartu ditut, jatorrizkoa eta Mad Professorek egindako erremixa.
Harritu egin nau, neurri batean, 40 korte batzeak. Hain zorrotza ez zen irizpide batekin, agian, 50ra iritsiko litzateke nire zerrenda.

Hain zorrotza ez den irizpide batekin, agian, 50era iritsiko litzateke.

Fermin Muguruzak Negu Gorriak-en ostean egin duen ibilbidea desberdina da, eta ez dago hanka sartzetik salbuetsita (Zuloak proiektua buruan), baina ez dago horrelako bilduma batez harro egoteko moduko artista askorik. Kontuan hartzen badugu, gainera, Muguruzak The Suicide of Western Culture lanarekin duela hiru urte baino gutxiago argitaratu zuela B-Map 1917 + 100  ahaltsua, ziurrenik bere albumik onena ‘Borreroak milaka aurpegi hartatik, agian zentzuzkoena ez gutxiestea izango da.

 

MUGURUZA

Fermin Muguruza: Kortatu eta Negu Gorriak baino haratago

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